Fiction by Mildred Pond
Mentally, words came for my notebook:
“Italian, I’d wager – Sicilian. But why the Slavic
cheekbones? A fetish for shoes, leftover
privation from the war?” In any case, the shoes
didn’t suit her; they accentuated her shortness,
and she was too old to fling back a foot against
her bottom as she suddenly leaned over a side
railing closer to me.
Her name was Ilona.I met her that first night by
happenstance at the bar, along with her
Egyptian husband, Gamal. A few others joined
us and we became close, largely because of the
stranger hiding in a lifeboat on an upper deck.
On deck that afternoon I was again struck, this
time by the striking profile of a young woman I
guessed to be in her early twenties. She stood
at the railing, facing the receding coastline and
ripped open a cablegram the deck steward had
handed her. “She tears it up crossly -- surely a
departing message from a lover,” I noted for
my notebook. “Distinctly American --
self-confident, proud, used to having things go
her way. Her shoulders straighten defiantly as
she flings the bits of paper into the sea.”
I sympathized with the girl’s wounded defiance.
I was still smarting over Hilda’s parting note,
still nestled in my breast pocket. She’d tacked
the note to my bungalow door the morning I
left Dakar: “Roger, my love, I know you no
better after two years than on our first stolen
afternoon on your veranda.”
Hilda, the unhappy wife of my boss, would
never have come with me to Japan, (nor would
I have asked her). Yet at the moment of our
ship’s sailing I nursed the same wounds as the
American girl, who abruptly turned her head,
caught me staring, and pointedly mimicked my
gaping before sauntering off. Another
impossible American, I thought, impertinent,
imperious, but that didn’t make her any less
beautiful.
The crowd on the deck dispersed, the sky grew
darker, and I felt the wide sea’s sweeping
blackness, menacing, and powerful. Alone on
deck I permitted myself a glance toward the
lifeboats above, hoping for a sign – an opened
flap, a groping hand – but there was nothing,
only the surrounding water’s terrifying size,
enfolding us both.
“What do you scribble in your little notebook?
What you don’t dare say, I bet.” She held out
her hand. “My name’s Janet Thompson.” The
girl I’d seen on deck, definitely American, as I’d
guessed. She had followed me after dinner,
when I wandered into the empty bar. A group
of other passengers lingered outside on the
promenade deck.
“I watched you writing, even while you were
eating in the dining room.” She sat down next
to me at a round side table. “You’re not a
writer, I already asked the purser.”
“Don’t listen to pursers,” I said. “They’re paid
to lie.”
“He says you’re a diplomat. Your name is Roger
Barnes. Shall we have a drink?”
Hilda had been fond of saying, “There simply
are no coincidences, Roger.” And I had let her
ramble on, disbelieving. I think differently now;
we never just meet one another by chance.
“A drink? By all means,” I said, calling toward
the man at the bar.
I immediately saw that the bartender, with his
back to us – was in his undershirt, unshaven.
His starched white bartender’s jacket hung on a
hook by the mirror.
“He’s choosing to ignore us,” I said.
His name was Jules, we soon learned, a
dedicated communist, as were the rest of the
crew, and he was busily wiping glasses, his
bored, hunched-over manner making it clear he
didn’t give a damn what I wanted.
The Stowaway (Con't)